The Way Back is a journey and escape picture rolled into one, kicked off by the fact that it is based on true events which conveniently open the door for the combination effort. Director Peter Weir, who does nothing better than spin long, arduous yarns that cover familiar ground, weaves a surprising level of heart and soul into what is ultimately a tremendously boring story were it left without … [Read more...]
Once in a while, a film comes along that is ultimately hindered by the fact that it plays on a variety of elements which are generally considered flaws (even nearly insurmountable flaws), hoping to make use of some variety in the medium. These are films that polarize audiences and critics alike, and for those unwilling to really chew on a film, they offer up all the negative soundbites on a silver … [Read more...]
I recall an argument I once had with a friend about the film adaptation of a book we both loved, but which consisted of the protagonist thinking to himself for something like 80% of the total work. That it could be done was not really the issue. It certainly could, though it might make for an odd experience. No, the question was really should it be done. I haven't read The Lovely Bones, but it … [Read more...]
