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Best Movies Of 2009

by Marc Eastman on January 21, 2010 · 111 comments

So, there goes another year. It was a surprisingly good year for films actually, no matter how you look at it. There were hugely deep, dramatic offerings if that’s what you’re after, and there were solid efforts of popcorn fare. If it were all thrown at you at once, you’d be spoiled for choice whatever your mood.

It’s been a long time since I was so positive looking back at an entire year, and I actually have too many movies I want to mention. Usually, it comes down to figuring out what I’m going to put in as numbers 9 and 10 that probably don’t really deserve it.

You’ve seen the list (hopefully) of the Best of the Decade, and know that 2009 films were not qualified. Naturally, you now want to add some things to that list and set your Netflix queue on fire.

First, there are a few things I have to get out of the way. A few movies that is.

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I should get right to the biggest one, Avatar . Avatar is not on this list. I suppose, you could call it one of the honorable mentions. I don’t hate it, but it isn’t that good. Sure, it just won the Golden Globe, which caused Roger Ebert to have a Twitter coronary (rightly so), but it didn’t remotely deserve it. Chew on that.

Is it a good movie? Yes. Call it, I guess, the best movie of the year that shouldn’t be considered in the running for best movie of the year.

Never before has there been a movie where so many critics were heard to say things very similar to, “Sure, the story is sort of boring and overdone, and the characters are kind of a joke, but… Best Movie of the Year!” Yeah, listen, go sell crazy somewhere else. I know… it’s all frickin shiny. Goodie.

But, somewhat more seriously… it could be on this list, especially insofar as the Honorable Mentions (it wouldn’t make it to my top ten though), but it’s on enough lists, and I’m over it.

Nine . Now, conveniently this one has dropped out of the spotlight a little, what with taking home no CCMAs despite a lot of noms, but I have to mention it. It was just boring and awful. Sorry.

Precious . Yeah, not that great. Liked some things about it, but it’s just not ultimately one of the best of the year. There are those that disagree with me about such things. I get that. Some people do not like My Dinner with Andre. Whatever.

On to the list -

Check the title links for reviews, trailers, and so forth.

Honorable Mentions

In completely random order -

The Road

A completely bizarre experience, the movie is filled with emotion and hard to watch at times. Solid acting carries the thing. The end of the world and/or catastrophes were popular this year, but The Road is probably the only one that really did something with the idea.

Bright Star

The life and love of John Keats is probably not calling people into theaters by the truckload, but this film, brilliantly written and directed by Jane Campion, is the kind of thing that instantly becomes a treasured experience. Ben Whishaw and Abbie Cornish are superb.

Disney’s A Christmas Carol

Ultimately worth the mention simply for being the translation that most closely resembles the original effort (at least for a long time) in spirit. It’s dark and creepy. It’s fun and silly. It actually makes interesting use of 3D as well.

The White Ribbon

A bizarre series of events lead to more questions than can be answered, and more tension than you can stand. A haunting story that is, in the end, about people and society in general, and that is bizarre and creepy stuff. The should win choice for foreign film awards everywhere… except like Germany or whatever.

Public Enemies

By the time it ends, something has gone wrong with Public Enemies, the gangster/agent chase adventure starring Johnny Depp and Christian Bale, but up until that end you’re treated to great acting and an intriguing plot.

Watchmen

There are strong points to be made on the negative here, especially if you’ve read the graphic novel, but it’s fun, inventive, and tries like hell. The strange choice of change with regard to the ultimate conspiracy at the end throws everything about the story out of whack, and doesn’t actually make any sense, but it’s a cool ride.

Coraline

Any other year, and this would have been the movie to beat. Unfortunately, it had the bad luck to come out during the one year in decades that actually saw several top-notch animated films released. The imagination and wonder of a small girl, delivered excellently, as though straight from Neil Gaiman’s imagination (even if things had to be toned down a smidge from the source).

Julie & Julia

It’s possible that this is most worthy of mention simply for being the chick-flickiest thing I’ve thoroughly enjoyed in quite some time. Cute and quirky, without going too far, it’s a treat of entertainment know-how, and actually has a point.

Whip It

Goofy fun meets cute coming-of-age story in this odd little number about Roller Derby. It stumbles like someone getting used to skates after a long hiatus from the banked circle, but there’s a lot to recommend.

Up in the Air

I really liked it, and I think in a screenplay category I like it even more, but it just wasn’t the top tier of the best of the best. It had great moments, it was supremely watchable, but at the end of the day it didn’t blow me away. It’s cute and fun, and has something interesting to say, but it thinks it’s saying something more interesting and original than it is, and in a couple of years I won’t really care much about it.

Cloudy with a Chance of Meatballs

Again, any other year maybe. In this case however, the thing was so overlooked that the year might not have mattered. Bizarrely better than it was given credit for, this is a serious treat of the family film genre, and it should definitely get a lot more attention.

Sherlock Holmes

A very fun bit of high-energy wackness, this is a solid piece of entertainment with a good (but unusual) mix of complexity and adventure. Great turns by the actors, and a fun story.

9

It didn’t quite translate, I suspect because we could have taken a little more time to go from ten minute short to feature film, but it’s still a great adventure with a strangely interesting story.

The Invention of Lying

I admit I’m just a huge Gervais fan, but the comedy was great, and the story was fun. Plus, there was a lot more to it than just running through the obvious.

A Serious Man

For some reason, even from way back when I was just getting sent promotional pictures and so forth, I just love this picture (I mean picture as in that image there). I love that this would be an image that would be sent to me, and would be part of posters, etc. I mean, what the hell is this picture supposed to tell me?

A truer, more solidly black, more Coen comedy you will hardly meet, and this one was very close to the top ten. A great performance, and a standout moment in the career of two movie legends who have plenty of them to choose from.

The Fantastic Mr. Fox

Yada yada yada, any other year. This one is the closest to unseating Up. Wildly fabulous, and frankly, if you can give the source material a fair shake, you’re on solid ground.

The Messenger

Another one that is pretty close to the top ten, so maybe this isn’t as random as I thought. Great performances, and in a non-Christoph year Woody might have had some hope. It might have missed the top ten based purely on… Oh my God, who could watch it again?

Jennifer’s Body

Yes. Seriously. Okay, we’re not in the category of close to the top ten anymore, but this was wild and crazy, dipped in awesome sauce fantasticness. You thought it was stupid? Of course it was! Brilliantly so. But, not in that nonsense “so bad it was good” way. It was just good and inherently stupid… and cool and crazy. It was a little like if John Hughes and The Bloggess got together and made a teen angst horror movie with nerds and hot chicks, but the nerds were hot chicks dressed up like they weren’t hot.

(500) Days of Summer

Back to close calls, this screwy, quirky romantic comedy was not only great fun, it’s the sort of movie that will last a while. The thing missing from most romantic comedies is comedy.  The genre itself somehow doesn’t even really mean “comedy” in any serious sense, but this one is funny. I’ll go back to this one again and again for years.

Adventureland

These last two are not in the top ten by the slimmest of margins. Adventureland is rock solid, youngish angst… well, it’s not adventure really. It’s the opposite of adventure maybe. Surprisingly on target performances, and a nice dance card of characters.

District 9

Equal parts action spectacular and gooey (literally) political statement, it may splash its sub-text all over the front page, but it was fun and had a message without trivializing itself (like some things…).

Ok! The Top Ten!

10. Sunshine Cleaning

I’ll spoil it if you like. Emily Blunt is on here twice. A crazy tale of life, and though there is one obvious point, a wide-ranging spin on how your choices change everyone else’s life. And yet, without bogging down in the sap.

9. Inglourious Basterds

Old School war meets New School sensibilities with a great cast and an alternate universe. The kind of film that, as a theory, makes you think, “That’s just crazy enough to work,” and it did.

8. A Single Man

An insightful character study of a curiously non-insightful character. Curious, because he seems so insightful. An almost random struggle that questions the idea of “everyman” and is wonderfully not about its character’s sexuality to exactly the degree that stories about heterosexuals aren’t about theirs. The power of simplicity is stunning.

7. Moon

A heaping helping of what is best about movies, storytelling in general, and science-fiction. Rockwell is amazing, and the film can hardly receive too much praise. A man, alone on a three-year stint on the moon begins to doubt his sanity. There is more discussion on humanity here than you get out of most sets of a dozen films. And, it’s just wicked cool.

6. In the Loop

I recall someone once saying of a film that it was, “so funny I wanted to kill myself.” That’s the sort of thing that sticks in your mind, mostly because I can’t imagine what point someone might be trying to get at by saying it. I feel like I’m somewhere closer to understanding the curious turn of phrase now that I’ve seen In the Loop. It’s funny in a way that leaves you not wanting to describe it as funny, because somehow the word “funny” just isn’t clever enough to figure this movie out at all. “Funny” is something for the masses, who watch “films” like Scary Movie (or Saw, if you’re of the right frame of mind, because that crap is funny) and casually slap the word around. It’s a movie that is witty, sharp as a tack, and it’s a movie that wears a rather smart coat, and if you called it “funny” to its face, it would ask you to step outside.

5. The Young Victoria

Here is a movie that is unfathomably entertaining given its subject matter, and is moreover so far to the good side of watchable that it might have gone on for another hour and you’d never notice. But, most importantly, this is a film that is simply a work of fine craftsmanship. Everything is just so, and it’s a truly difficult task. Sure, blow enough crap up and it’s bound to look pretty cool, but keep me interested in this bunch of rot (well, that’s how it looks on paper) and you’ve done something. Emily Blunt gives a performance that should be studied.

4. (Untitled)

There are a lot of ways to describe a film. Funny. Dramatic. Suspenseful. Looking at just about anything you can think of, there is solid competition among this year’s crop of entries… except, if you just stick with “Real.” No movie this year, and for many years besides, has been more real than (Untitled). I know three or four big movies that are popping into your mind as you read this, because you think of them as really zeroing in on “reality,” and you can’t imagine what I could be talking about (though in fairness to me, you didn’t see this film). That movie you’re thinking of is miles from real in its own hope to express reality. (Untitled) displays things that are more real than you might think (you can walk right into that art gallery, believe me), but it’s a bizarrely unreal reality… and baby, that’s real.

Adam Goldberg (and one might have at least a passable claim to the idea that he is playing Adam Goldberg here) is the perfection of his character, and if you really know anything about acting, you’ll know that this is the hardest sort of character to play. It isn’t just that he’s “real,” but that he’s indescribable. Aren’t we all? It’s the kind of part where you ask who the character is, and there’s no way to answer, except to tell you that you have to read the whole script. You could break it down maybe, though it would still be a longer description than most, but the genius of the film and the performance is that that just isn’t who this character is.

3. The Hurt Locker

Feh. Go read some reviews. What? I’m going to suddenly convince you?

2. Up

It’s good and junk.

1. An Education

The idea that something else is the year’s best film, or that someone else is the year’s best actress, is even a worse idea than that someone else might have been a better supporting actor than Christoph Waltz. It’s just laughable. Come back to me when I revise the decade list in a few years, and I have little doubt this will be the best film there as well.

There you have it.

Don’t bother to complain about the list. I concede the incredible awesomeness, and general DUDE!?! of Avatar. I know, it’s really good, and the visually breathtaking scenes and the biology of the SQUIRREL!

RU?

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About Marc Eastman

Marc Eastman is the owner and operator of Are You Screening? and has been writing film reviews for over a decade, and several branches of the internet's film review world have seen his name. His reviews have brought him personal praise from the director of a major motion picture, and have been used as required reading in a course at a major University. These priceless rewards, along with just bags of cash, keep him from straying from freelance writing. He is also a member of The Broadcast Film Critics Association and The Broadcast Television Journalists Association.

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Solid! Spot on with Up and The Hurt Locker at #2 and #3 but An Education number #1? The final minutes of that film really let down all the brilliance preceding it. An unforgivably lazy conclusion, and it's a shame because Carey Mulligan was superb! I thought Up in the Air was one of the years best, along with Inglorious Basterds, District 9, Fantastic Mr Fox and the two previously mentioned.

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Great list and the reviews! I've watched Education thanks to it and found it totally worth the review complements.

Good points all around.Sorry you didn't enjoy Ingourious Basterds. You might have at least picked one of the movies on my list that wasn't nominated for Best Picture by all the big award ceremonies.If you're going to try mocking my general potential as a film critic, mock (Untitled), which even among film critics is rather unknown, not one of the movies that is on most every film critic's list.And, I didn't pick apart Avatar for being a little too long.

you seriously can sit there an mock avatar but you go ahead and put Inglourious Basterds as your number 9 pick. you sit there at pick apart Avatar for it being a little too long, sure it was but at least Avatar is a movie worth watching more than once i wouldn't even watch the beginning credits for Ingourious Basterds if you paid me! i would like to hear how you think its a good movie it defied history for one and had no interesting points through out the whole movie. the only part in the movie that you could remotely call funny is when brad pitt said he was Italian, but for the other movies on your list...ehh better luck next year trying to be a film critic.... do not quit your day job.

So, I'm really kind of bugged that I can't seem to understand everything that's being said in this movie... (On top of the 'odd' way that the English have of speaking, I'm also at the age where I can't seem to hear as well as I would like.) so.. I downloaded the script, (the original, I think) and discover that the movie uses the script as a road map and doesn't always, faithfully, follow said script.Now, let me say that a number of years ago (I shan't go into how many years ago that was..) I wrote a Christmas play. It took every blooming ounce of creativity that I possesed to do so. After many hours of faithfully following the play guidelines, I pronounced it completed. Ha!! In the following months, up to five days before rise, we were working with version # 6. Sigh.So I DO understand how script and final product can differ, however, the script for 'An Education' did explain scenes that I had been left saying to meself “What? What??” So, the combination of changed script, buggered hearing, and the English language conspired to keep me from enjoying (or at least understanding) this movie.However, having said all of that, let me further state that this is rather like a random door that I had wandered into, one that I would not have opened had I not read your blog and … I must admit that I had only “opened” that door because I was rather bothered by your remarks regarding 'Avatar.' I really don't want to go into all of that (and I will not get into a stephaniebarr type of discussion) other than to say, I would never (Well, I don't know if I want to say 'never'...) had seen the movie 'An Education' otherwise...So, as some are want to say, good show, carry on, and so forth...And.. thank you allowing me to play!

So, I'm really kind of bugged that I can't seem to understand everything that's being said in this movie... (On top of the 'odd' way that the English have of speaking, I'm also at the age where I can't seem to hear as well as I would like.) so.. I downloaded the script, (the original, I think) and discover that the movie uses the script as a road map and doesn't always, faithfully, follow said script.Now, let me say that a number of years ago (I shan't go into how many years ago that was..) I wrote a Christmas play. It took every blooming ounce of creativity that I possesed to do so. After many hours of faithfully following the play guidelines, I pronounced it completed. Ha!! In the following months, up to five days before rise, we were working with version # 6. Sigh.So I DO understand how script and final product can differ, however, the script for 'An Education' did explain scenes that I had been left saying to meself “What? What??” So, the combination of changed script, buggered hearing, and the English language conspired to keep me from enjoying (or at least understanding) this movie.However, having said all of that, let me further state that this is rather like a random door that I had wandered into, one that I would not have opened had I not read your blog and … I must admit that I had only “opened” that door because I was rather bothered by your remarks regarding 'Avatar.' I really don't want to go into all of that (and I will not get into a stephaniebarr type of discussion) other than to say, I would never (Well, I don't know if I want to say 'never'...) had seen the movie 'An Education' otherwise...So, as some are want to say, good show, carry on, and so forth...And.. thank you allowing me to play!

I really appreciate your taking the time to comment.I think that basically your reaction is actually exactly what I hope for in this "job." I mean, people simply don't have the same taste when it comes to what's best, and if you have 20 best of the year lists that all tell you the same thing, how helpful is that to you really?Lots of people love the classic movies that are frequently mentioned as the best ever (Casablanca, Citizen Kane) which I don't particularly love, but that's just the way it goes.If you don't think An Education is great, fair enough. For me, I played some role in getting you to watch a film that you might not have otherwise, and at least it was "very good." That works for me.An Education is probably a film that works for me more than it will for a lot of people, just like (Untitled), which I'm sure many people will think is awful. That's par for the course in this sort of game.I can really only put my list out there, try to be as honest about it as I can (which I don't think a lot of critics do frankly), and hope that people get something out of it. I doubt that what many people will get out of it is full agreement on the order and/or which single film is actually "best." If some people find some movies that are very good, that's good enough for me.And, maybe the list serves as a sort of reference point when I review movies in the future.To be honest, I'm pretty vocal about my general dislike for lists, but they do serve to at least give an idea of overall tastes. In some sense I think they are a bit meaningless though, because if you take, for example, Cloudy with a Chance of Meatballs, (500) Days of Summer, and The Young Victoria, I don't think there is a lot of meaning in putting them in order of how good they are.You just have to take what you can from it, and I hope you feel like you got some value.Thanks again for the comment.

After reading your list of 'best' movies of 2009, I decided to, at the very least, watch some of the ones in your top ten. So... starting from the very top, I watched 'An Education'. And then again. And then one more time. Because if this was your very best movie, I wanted to be sure to not miss anything that was there in the story.Now, I'm sure that there are very good movies, even great, perhaps, in France, Italy, Russia, etc., etc. (Well, perhaps not Russia LOL), however, I will never know. Because... yes, you've guessed it, I DON'T SPEAK THOSE LANGUAGES! So, with “An Education', that falls into the almost same category: It is a decided strong ENGLISH movie. (oh, yes, BBC) I don't speak English – I speak American. (I'm reminded of the opening scenes in 'My Fair Lady' where Professor Higgins is lamenting about the fact that so few people in Great Britain speak “proper” English, and he goes on to say, or words to the effect, that in America, they haven't spoken it in years!)So, back to 'An Education'. After watching it (for the THIRD time), I found that I truly enjoyed it (although I never did completely pick up all of the accents, etc.). In fact, I felt, and still feel, that it is a good movie. No, I take that back. It is a very good move. But great? Really? (Well, I guess I should have been able to pick up on that when I saw your “greatest” movie of the decade.) So, I have watched the “top” movie of 2009. I hesitate to start watching any more. I mean, if the rest are inferior... Well, I guess I should have saved the best for last, huh?

After reading your list of 'best' movies of 2009, I decided to, at the very least, watch some of the ones in your top ten. So... starting from the very top, I watched 'An Education'. And then again. And then one more time. Because if this was your very best movie, I wanted to be sure to not miss anything that was there in the story.Now, I'm sure that there are very good movies, even great, perhaps, in France, Italy, Russia, etc., etc. (Well, perhaps not Russia LOL), however, I will never know. Because... yes, you've guessed it, I DON'T SPEAK THOSE LANGUAGES! So, with “An Education', that falls into the almost same category: It is a decided strong ENGLISH movie. (oh, yes, BBC) I don't speak English – I speak American. (I'm reminded of the opening scenes in 'My Fair Lady' where Professor Higgins is lamenting about the fact that so few people in Great Britain speak “proper” English, and he goes on to say, or words to the effect, that in America, they haven't spoken it in years!)So, back to 'An Education'. After watching it (for the THIRD time), I found that I truly enjoyed it (although I never did completely pick up all of the accents, etc.). In fact, I felt, and still feel, that it is a good movie. No, I take that back. It is a very good move. But great? Really? (Well, I guess I should have been able to pick up on that when I saw your “greatest” movie of the decade.) So, I have watched the “top” movie of 2009. I hesitate to start watching any more. I mean, if the rest are inferior... Well, I guess I should have saved the best for last, huh?

We are not going to be able to reach each other. Thanks to a call with my sister, I even know why. Feel free to put whatever interpretation you want on it. I'm out of here. Carry on amongst yourselves.

"I understand that, and, if I agreed with your assessment, I would probably agree that this movie couldn't be the greatest movie ever (I'm not even sure that such a designation could exist, but it doesn't matter. Your point is that it can be precluded objectively, an error of fact)."To be honest, all I really care about is that you said (or implied) that something can't be the best movie ever.I don't really need to connect Harry Potter to any degree more than that they are both wildly popular, because it was all the connection I was looking for. I don't need a closer analogy for my point, just because you want one. I was only looking for something that lots of people love (and call the best ever), that just can't be the best ever.The point about your sister is really resolved with your implication that something can't be the best book ever. It isn't arrogant to correct someone who made the statement, especially in a college English class, any more than it is arrogant for any other professor to correct any student about anything else. Just like if some student reading Shakespeare in a class said that they thought Romeo & Juliet was a story about dancing monkeys taking over Mars. Some interpretations are open possibilities, and some are wrong. The student can't just say, well, that's your opinion.I get that you think the character is very real. It isn't really a central point. I don't think he's real, and I don't think that pointing to real people makes him so. I know people like everyone in every movie I've ever seen. So, there are no bad characters?I think you might be too close to this film to look at it objectively, in some senses anyway. The science that you love about it, and it's great that you love that, isn't (as far as I've seen) one of the components of great film. Being believable with regard to real science maybe, but even that isn't a necessity. Moreover, the themes seem to cause in you a very personal reaction, which to some degree or other don't really enter the arena of objective discussion of the film's merits. That's what I meant by saying that what you think is great about the film is that you thought it was great. Your entirely personal reasons for liking the film are great, and everyone has those sorts of reactions and loves films or books, or pieces of art for such reasons. But, they aren't statements on the work's actual merits. There are, I think, personal and objective reactions to such things, and if there aren't then we're sort of dismissing all criticism. You don't, for example, teach a film class and say things like Indian Summer is a really good movie because I went to camp ever year as a child and I really get what this film is about. That may be why you like it, but that doesn't make it good.I didn't really say anything about space travel itself as any fault, but the idea that you put forward yourself as more expert in the mining and space travel capabilities of a fictional future world sort of proves my point. Not that, maybe you aren't actually, but it's a focus that misses the point.My point about mining, and other things, was only that the whole situation is a created problem, and in a kind of silly way for a movie that wants to be taken so seriously. And, the point is really all of the things together, not just anything about mining, as though anything about mining were some major flaw. I agree that it is more humane to use gas, and try to pressure them out, etc., but surely it is odd to think that the battle would play out the way it did. Once we have decided that we are just going in, considering the future we're in, why wouldn't they just use cruise missiles or whatever? Well, because what sort of fight scene does that get us in film? That's the only point about anything technical, simply that the situation itself seemed forced given the technology available. Surely, there is some weapon we just fire from space, or other deposits, or whatever. And, while I would probably hire you to tell me if I could, now, here, tunnel over to some mineral deposit, you can't know that they don't have such capability, and it seems to me that they could. But, to really delve into the technical aspects is to miss the point. My point is that the situation feels very created, and what's the counter? It isn't? It is actually, and the only point is that it stood out as being so. And, I don't see him at all as not being interested in killing them for entertainment. It seems to be his chief goal from the very beginning of the film. He spends his entire time itching for someone to give him the green light to start shooting.There are obviously differences of opinion on what makes someone crazy, or boringly moronic as well, but if you're going to insist on fighting to the death, when you have the option not to, winning the fight wins you nothing in the big picture, and your nearest reinforcements are years away, then I think you're tediously stupid at the very least, and not an interesting character. Some fact about a real person who is that stupid doesn't make the character more interesting, or more real.Of course, the single character isn't going to make or break the movie, and it isn't really the point.At least, it isn't my point. The point is that at the end of the day, I don't remotely think I'm omniscient, or that I can't be wrong. I think we're arguing about something that it is possible to be wrong about, and though you say, "I would probably agree that this movie couldn't be the greatest movie ever," you don't seem to be approaching things as though that were true.This can be one of the best movies ever is something that is as much an objective statement as this can't be, but you seem to go back and forth on what needs proof and what doesn't. I say he's hollow, boring, and unreal, and you say he isn't and I have to prove he's a bad character. But, you can't prove he's a good character. You can only say things that, in your opinion, make him a good character. But, as I said, we shouldn't get too locked down on this one character, as though that were some single point that somehow would give us the answer one way or the other.Assume I'm right, and he is a bad character, that fact alone doesn't really decide the thing anyway. The thing is, really, I think, that we aren't having a discussion about whether or Avatar can be or not, even though that it is what comes up. In the end, if we were having that discussion, I am quite open to the idea that you could convince me I'm wrong. I don't think you are. Possibly because there is some semantic thing going on in which you don't think there is any such thing as a best movie ever, and therefore how could anyone be wrong about what movie that is, or what movies it possibly could be?This is where the discussion seems odd to me, because if there is no such thing, and basically I'm only making a semantic mistake by saying that it can't be one of the best movies ever, why are we talking about it?If there is some "real" discussion that is possible on whether or not some movie can't be the best movie ever, then there is a "real" discussion on what movie can be, and they both only have the same sort of support available. You can't just keep saying, well, that's your opinion, or you'll never have anything that can to the same degree I'll never have anything that can't.What's the position?As an aside, I think you should (and me too, it's not an attack) keep in mind the lack of tone possibilities in whipping out responses in comments.If I thought you were stupid I wouldn't spend four hours or God knows what responding to you. If I thought that you thinking Avatar could be among the possibilities for best movie ever meant that you were an idiot, why would I reply? So I could tell you that you were an idiot? I have better things to do, and I hope that you know me better than that.I don't review movies so that I can say, Here lies the correct interpretation of this film, and if you don't agree with what I say, then you're an idiot.I don't think that you're stupid because you think Avatar is the best movie ever (even though you don't say that), just like I don't think the people who voted for it for Best Picture are stupid. I think they're wrong. I don't really have to prove they're wrong to any greater degree than they have to prove they're right. It isn't a personal attack to say that you're wrong, even if I say that the movie was designed with a lot more attention to mass appeal than any real desire to make a great film.I didn't say that people who like this film are stupid (though I would probably say that a lot of stupid people like this film). That's what Ebert said about people who like Transformers 2, and I did my best to call him out for it. He was wrong.

In the interest of having a comment that isn't three letters wide, I'm starting a new one. It will work to your benefit, too. Let's start again and I will try to explain why I disagree. As I understand your contention, Avatar cannot be the greatest movie ever because, at least, the story is insufficient and the characters are "hollow and boring", completely unrealistic. I understand that, and, if I agreed with your assessment, I would probably agree that this movie couldn't be the greatest movie ever (I'm not even sure that such a designation could exist, but it doesn't matter. Your point is that it can be precluded objectively, an error of fact).The problem I have is that you have yet to provide any supporting and inarguable facts to support your case. In your review, you gave several reasons. Many having to do with mining and space travel, both of which I could say with assurity I'm more expert in, and both of which I explained your fallacies. You treat the story as trite, but that is a matter of opinion not fact, even if it has been done a thousand times in movies. It's played out more in real life. It happens today, so clearly the lesson has not been learned.You have compared it Harry Potter. Alright, you see them in the same light. I do not, nor have you given a single reason to connect the two other than wild popularity. So no popular books were ever classics? Among the great ones?You have to provide the connection to the analogy or it's meaningless. Right now, you have two connections - you think they're analogous (which means nothing to me or anyone else) and they were both bestsellers. That is insufficient for me.When it comes to challenging experts, I expect them to prove their points, in controvertible data. Repeating their expertise or making comparisons or allusions without demosntrating connections doesn't work. Nor does telling me that the "math is complicated. You wouldn't understand it." Though that last has been tried (and I don't mean you).I didnt' defend my sister and what you said about her because it was an "If-then" situation. I've never asked her if Harry Potter was the best book ever. I don't think English teachers generally would say such a thing. I do feel confident, if one of my sister's students did say so about Harry Potter, my sister would not be so arrogant as to correct her or, be offended that she thought so. Why?Because greatness is where you find it. Vlaad the Impaler is still regarded as a hero in his homeland of once Wallachia, despite cruelty and stupidity that puts the Colonel to shame. True he killed between 100-300K people in the few short years he was in power, but the crime rate was never lower. And he kept the Turks at bay, using methods he learned from them (you see the power of knowing more than one culture).I don't like the colonel. I'm not supposed to. I also don't see what you see. He is not a robot. He is manipulating the situation, not the other way around. He does see things in black and white; many military leaders do (look at those who advised the atomic bombings of Japan despite documented evidence that Japan was already ripe for surrender). And still, his responses are not without subtlety. He's not out to eradicate the Na'Vi per se. He wants them to know who's boss and topple their god, a favorite of conquistadors and missionaries alike. He wants to control them, find their weaknesses and exploit them.You'll note that Jake had no report to the Colonel about the sacred tree, that he discussed it with Augustine's team, but not with him. The colonel figured out the significance himself.The colonel believes that the Na'Vi are a direct threat and, like the Japanese at Pearl Harbor thinks a decisive and devastating blow that wipes out their god and their primary force will cow them into submission. The Japanese were wrong about Pearl Harbor. So was the Colonel.Do I like the Colonel? Nope. Do I think him shallow, hollow and meaningless. No. I have provided examples (that can be looked up to compare the situation) and explained the similarities. He is not a single character. He is the product of years of lessons learned, and therefore highlights the lessons we haven't learned because we've chosen not to. He is more humane that many historical bad guys, including trying to drive out the Na'Vi with gas and persuasion (I think he half-suspected Jake could win them over and then take them over - insane but crazier things have happened. Look what happened to the Incas or the Aztecs). He's more humane that the carpet bombing and cruise missiles of today.He doesn't see the Na'Vi as human (common for all wars - dehumanizing the enemy, whether they look like you or not), but he isn't interested in killing them for entertainment. But he will do anything to protect the interests of the humans as he sees them and he see everyone who entertains any other priority as a traitor. He's not obviously crazy, a brilliant tactician, a brilliant mastermind (as if those haven't been done to death) or unpredictable. I'm afraid that I find the Colonel a great deal more real than that.

What does it take for you for a character to be unreal?The marine is a moron, and the quintessential "black hat" - a character that is part of the reason the idea of stock, hollow, cardboard characters began to get bandied around in the first place. He is, for people studying character, a bad example by definition."In the best movies, our good guys work against such win-at-all-cost psychos, as they do here."You are hopelessly mistaken in this viewpoint."He's not crazier or more insane that Hitler or Himmler or Stalin or Custer (righteously slaughtered by the Sioux) or even Napoleon, who would have made a fine leader if he hadn't been so damn greedy. I don't get why this is different."In these cases, and the others you mention, yes he is. You are uninformed historically if you think any of those people were moronic. Especially, for the love of God, Richard the Lionheart. You might as well say that anyone who ever was involved in leading people to war was a psychopath.Take, as a different example, Christoph Waltz' character in Inglourious Basterds, he's evilish for sure, but he's smart and multi-faceted. You're not sure what he's going to do, and there's a lot going on in him.Avatar's marine has nothing going on. He's an evil robot, going along with the nastiest possibility even when it makes no sense at all. Are there real people like that, and have some people in history actually been like that? Sure. Does that make him real?You might as well say that Hitler in Inglourious Basterds was "real". I mean, hey, there's even an actual person we can point to. But, he was a caricature... on purpose, how could you call him real?

I never said that Richard the Lionhearted (or the colonel in Avatar) were morons, though I think you'd be hard pressed to prove otherwise. He bankrupted his own nation, went on countless and pointless crusades, left his monarchy in such a state that the Magna Carta was a result, ignored his queen, and alienated his allies such that they locked him up for years. You can believe he's brilliant if you choose, though I'd be astonished as to where you obtained that insight, noting that one can be a brilliant tactician and still an idiot elsewhere. I'm not terribly impressed with him myself. I would also suggest caution in telling anyone you don't know intimately they are uninformed when it comes to history, as I am direct descendant of William the Conqueror and studied early Norman kings in earnest. Do bear in mind that history is as subject to interpretation as movies, especially when it comes to the character of the individuals involved. I don't think the Colonel is anywhere near as crazy nor in any way stupid. Just single-minded and ruthless. The problem I have is not that you see the character differently than I do; it's that you seem incapable of even entertaining the notion that your reading of the character is not the only one. It appears to me that, since you see the character a certain way, I not only must see him the same way, but that I must be either a fan of shallow and stupid characters or lying when I say characters matter to me. In either case, I find the arrogance irksome. Or did I miss somewhere you were omniscient. Forgive my tardiness in responding. I just went and saw Avatar for the third time. Literally.

You have confused me. Originally, you said, "They're hollow and most of them are nonsensical. They aren't real people by a billion miles. " then you said: "I think we disagree on the idea that if you meet someone who is just like that character, then the character is thus "real". "Well, damn, what do you need for real characters? People you'd like to know (even as villains)? What the people in "The Secretary" that made your top ten of the decade? Hollow and boring, maybe not (though I might very well think so in real life), but real? Sigourney Weaver said she was channeling Cameron himself. But not just him. Swap being overweight for smoking, and she could be me directly, both of us fighting politics for the good of other people and refuse to put a price tag on them.The marine is a man who pit himself against a planet and sees the Na'Vi as personifying the planet. He wants any excuse he can to go after them. He doesn't care about money or the operation. He cares about taming Pandora his way. He's no more unreal than the warmongers and best generals throughout history and there are endless (and some excellent classic) movies about war. In the best movies, our good guys work against such win-at-all-cost psychos, as they do here. He's not crazier or more insane that Hitler or Himmler or Stalin or Custer (righteously slaughtered by the Sioux) or even Napoleon, who would have made a fine leader if he hadn't been so damn greedy. I don't get why this is different.There's like five minutes of screen time for the money guy, but that's OK, he's not what's important. It's the marine that matters because, to him, it's personal. Just like it's been countless times in history. When I've read history, I've read about these guys endless times, Richard the Lionhearted, leaving his country fallow to fight endless Crusades, Henry V who overcame impossible odds at Agincourt, but couldn't stay alive long enough to see his son born, Alexander the Great who conquered a huge swath of the world before dying at 30. The list goes on and on. For each of the great military fruitcakes (who often left their own land unstable in the greed for more and the need to constantly fight wars) , there are undoubtedly thousands more who never left a mark on history except, perhaps, with spectacular failure because they had the drive, but not the skills and tactical abilities - or they ran against people who wouldn't be conquered so easily.They may be hollow and boring to you. Not to me. And, no, I'm not a history professor. But I could have been.

Glad to see An Education and Moon on your list.

See, here's the thing... well, sort of... I'm an English teacher. I bad mouth Harry Potter in the same way I bad mouth Avatar. I liked the movie, and I like the books. The books are cool and fun, and a few of them have something to them.I have no problems with people liking Harry Potter, much like I have no problem with countless other enjoyments.But, look at it this way. If I have a student who is twelve or so, and they love Harry Potter, and even if they say it is the best book they've ever read, I would say Bravo. My son, 8, is reading them now, and loves them. Awesome. With no hidden sarcasm or anything, I couldn't be happier. But, if my son turns 30 and tells me that Harry Potter is still, in his opinion, the best book ever written, then I would be sadly disappointed in us both, and he would be wrong. It isn't. It just isn't. The End.If he told me he still liked it, and/or found similar books enjoyable, brilliant.It's the same with Avatar. Like it? Think it's really good? Great. No one likes to have fun at the movies more than me. But, the best movie ever? It just isn't.I suppose there is a point when you say that because I didn't get the "it," it can't be a truly great movie... and this you don't have to agree with. The problem is that you can say that about any movie, and it carries the same weight. I can say that Saw VI is not the best movie ever, and you can just say that just because I didn't get it, doesn't mean there is no it to get.If that's all there is to it, why discuss it at all?I don't think the problem is that I don't get the "it" of Avatar, or Harry Potter, or Titanic, or Forrest Gump, or The Spice Girls... the problem is that I do. I just don't care for that it very much. To be honest, in the end I think that what you really think is great about it is the fact that you think it's great. Which is fine, but then we're just arguing about whether or not Vanilla is the best flavor of ice cream.I understand well about the whole idea of being open to other people's ideas, their beliefs, and even the widespread possibilities of what moves them. There are probably more than 100 movies that if someone said they thought one of them was the best movie ever, I'd have to say, well... fair enough. Many of them I don't even like a little. But, at some point it just ain't so.I don't know where the whole thing about being a follower or a fool came from exactly, and at the moment I don't want to reread the whole conversation, but I don't think you're a fool. The follower part really loses me, so I don't even know what to say there. I don't know where I mentioned anything about it.I don't think, for example, that people who think some American Idol winner is the best singer ever are fools. Same thing really with people who are over 20 and think Harry Potter is the best book ever. I don't think they are fools. I think they are wrong.

My sister is a Ph.D. in English and teaches on the college level. She is a huge Harry Potter fan, love the books, adores them. She thought Titanic was fantastic and saw it like five times in the movie theater. It was the "best movie of all time" until she saw "Gladiator" and changed allegiance. She'll turn 40 this March. She is also bloody brilliant. Hell, most of the people I know that love Harry Potter are adults (including another Canadian Lit teacher going for her Ph.D.) I'm not big into Harry Potter or Titanic and thought Gladiator was a waste of time. What makes me qualified to tell her that Harry Potter isn't a classic? That it won't have the same staying power of Alice in Wonderland and Through the Looking Glass. Or the Chronicles of Narnia. Or the Ring Trilogy that I found dry as dust? None of them are without flaws or are particularly grown-up in nature, yet all have stood the test of time. All are devoured by new generations with eyes that still recognize their magic. Naughty Marietta was a huge success and nominated for Best Picture, yet there's only a handful of people who'd still watch it (those of us who love baritones who could really sing). Bet someone saw it as a classic then, and, even if the acting seems laughable now, I can think of several "classic" movies where I wasn't much more impressed. My point is that I don't think anyone contemporary can say definitively, this has no possibility of being a great work. That's the kind of thing, only time will tell. You don't have to agree with me. Heck, I would have taken Frog Princess over 9, but then I'm a Disney fan. Amazing how many of those have passed the test of time.

Frog Princess was amazing ... I really loved the music from this Disney movie. For the record I have seen Avatar twice and I love this movie ... the plot, cinematography, and It’s undeniably categorically without-a-doubt unlike anything I've ever seen before. The amazing thing is that this genre isn't something that I normally would appreciate.

You still aren't really supporting the exact view, and honestly I suspect it is somewhat on purpose because you want to just support the idea that Avatar is really awesome come what may. I agree with everything you said about Harry Potter, and I suspect people will still be reading it for 100 years. It's really good. I said as much. I don't think it's even as good as other recent efforts in the young adult section... but, that certainly doesn't matter. The point is, that if someone says it is the best book ever... something has gone wrong. That's great that your sister likes it. I know a lot of people who like it as well, as I've said repeatedly, myself included. The question is, will your sister call a meeting of her department and inform them that the best book ever written is Harry Potter? If so, I'd rather like to have a word with someone at her University. If you sister took on a student to mentor, and taught this person everything she could about English and World Literature for four years, and at the end of that time this person said that Harry Potter was the best book ever written, would your sister be filled with joy that she had spend four years of her life aiding in this person's education? You don't have to agree with me either, and no one else does. Of course everyone has their opinion, and everyone likes a lot of things. I obviously know a lot of people who love Avatar. And yes, lots of things stand the test of time, and are cherished for generations, and a great many of them are not on the short list for best books ever, and that's perfectly fine. But, speaking of teaching English at the college level, there is a reason that no University English Department anywhere is going to go on record and proclaim that Harry Potter is the best book ever. There's a reason for the negative consequences if one of them did. It isn't.

I'm a scientist. You've stated something as fact. Prove it. Why? Never mind. That was said in anger. For future reference, I don't care for people to tell me what I think. I don't have to be evasive and manipulative to prove my point. I don't even have to prove it. To my mind, you're the one who has put forth unsubstantiated opinions as fact that are, when all is said and done, opinions. What is the greatest book ever? I'm thinking the answers are as diverse as the audience. In the meantime, I'll do my own thinking, thank you.

I think at this point you're just bypassing the point because it's what works best in your favor. That's not particularly entertaining. I stand behind my statement on history, if you think the people you mention were as moronic as the character in Avatar, and I know you didn't say he was a moron, but I did. At this point, we're sort of at a place similar to a discussion in a writing or film class where some points are given on what makes a good or bad story and what makes a good or bad character, and the reply is, Pfff, that's your opinion. If you want to make a good character you should generally do x, y, and z. Ha. Prove that's what you should do. The answers about the greatest book ever written certainly are as diverse as the audience. But, if we're being serious, the list of possibilities is not all that large. If you take book critics, literature professors, and other people who might reasonably be considered to be somewhat learned on the subject, and ask them to pick one book, you will get a wide range of answers. But, if you ask them to give you a list of 100, you get pretty similar lists. I don't particularly care to tell you what to think. I only told you that anyone who thinks Avatar is the best movie ever is wrong. I presume you do not make the claim in any case, because then you would have to prove it, I suppose. You only claim that it is the best movie you've ever seen, which isn't an interesting point of contention. I simply said that anyone who thinks it is the best movie ever is wrong. I didn't imply that you or anyone else was obligated to rectify the situation. As I have tried to explain, you make a mistake about opinion and error of fact. There are people, your sister included I take it, who try to teach people how to put together stories well. How to create characters that are not one-dimensional bits of trivia. They judge and grade these things based on general ideas of what does and doesn't make for a good and interesting story, or character, or whatever. Your story seems to be that the response to this scenario ought to be... well, sorry, I don't like people telling me what to think. Prove I'm wrong about my story being good. At some point you can just get silly about the whole opinion thing. Somewhere there is reasoning behind opinions, some opinions are worth more than others, and opinions can be wrong. When the doctor says, in my opinion, and Uncle Bob says it, different things are going on. And, you know, when you say things that happen in the physical world as though they are fact, you are only using your opinion that there is any such thing as a physical world to back the chain. I mean, yeah, you're a scientist and make claims about things in the physical world, but prove it exists. You can do your own thinking if you like, and fair play to you, but I didn't tell you what to think at all, and it doesn't sound like what you're doing quite frankly. And, can you figuratively see Avatar?

I challenge experts for a living. It's what I do and I'm very very good at it. I know that when people make personal attacks, attacking the thinking or capabilities of the other, it's inevitably a sign they themselves walk on thin ice. I've been reading and enjoying your reviews for a long time, not because we always agreed, but because I appreciated your point of view. I just didn't realize it was the only one you considered valid. It wasn't enough that we agreed to disagree. You seem to think I have to agree with you no matter what. I don't see that happening and I haven't read a single compelling reason yet why I should. I think you're wrong. That's OK. What's not OK is to be patronized by your or anyone else. If there's one thing I know how to do, it's build a character. And I don't need anyone thinking themselves so omniscient they can tell me what I do and don't know or when I am or am not thinking. Pity. I really liked this blog.

Again, I never said anything about you having to agree with me. I said that if you think Avatar is the best movie ever, you are wrong. You don't even seem to have said that. And, I didn't make any personal attacks at all. You do, however, seem to avoid any point I raise. What is that I said you do or don't know? I don't recall saying you do or don't know anything. You may be very good at challenging experts in terms of your job, but you aren't good at it here. You ignore whatever I say. I give you points, counterpoints, analogies, and on and on, and all you say is that I think I know everything and you aren't going to patronized. Sooner or later ignoring everything I say becomes conceding to it. I mean, it's Avatar for crying out loud. It just won the Golden Globe. It's not like you're the only person who likes it. At this point, the only thing we seem to be arguing about we you get right down to it is whether or not anything at all can be excluded from the possible candidates for the best movie (or book, or whatever) ever created. I say some things can. You apparently say nothing can. You say that I'm wrong, and so perhaps we agree to disagree. But, I say, at some point you have to answer my points on the subject, or give me your own reasoning on the subject. Because if my eight year old can't be wrong about what the best book ever is, then I not only think you're wrong, but I get to stop taking you seriously. I refuse to believe you believe it, and there's only so much time I can spend on a non-responsive discussion.

I feel I have answered every single point you have made, with examples, with history, with cut and pastes of your own contradictions. You haven't made that many and most have been complete rehashes of what you said before, still unsubstantiated, still without citations or examples. And none of them have bearing on this movie except in your opinion. The question is, why is your opinion better than mine. Who are you to decide? You haven't answered except to imply you are an expert and I'm not. ("But, at some point it just ain't so." - and you are the only judge? The quintessential judge?) Well, that's not good enough for me. Nor is it a point I can argue except by I don't know what makes you think you're omniscient but I don't buy it (which I did multiple times). Your answers to me have been riddled with aspersions on my knowledge of history (rather than counterexamples, citations or anything useful), my thinking ability or telling me what I think. Examples of the latter include: "To be honest, in the end I think that what you really think is great about it is the fact that you think it's great. " "Honestly I suspect it is somewhat on purpose because you want to just support the idea that Avatar is really awesome come what may." "I think at this point you're just bypassing the point because it's what works best in your favor. " I have not challenged a point (with data and examples) that you have not countered by saying I was wrong with no justification except your expertise. No examples of why this isn't other than your reading of the character which differs from mine. You said the villain couldn't be real ('cause, of course, over the top villains don't exist in any of the great works or movies). When I provided examples that showed similar behavior in real life, you told me he was a moron and therefore wasn't comparable, but with no evidence to support the assertion, either that he was a moron or that every greedy militant bastard in history (most of whom have movies or books about them) was not. Or that he was hollow or boring. Says who? Nor did I see any indication you would even entertain the notion that you may have missed depth. Are you telling me that someone expecting superficiality can't leave thinking they found it and there fore miss depth, even an expert? Emily Jane Bronte was overlooked and undervalued during her lifetime with her sister garnering all the praise, but Wuthering Heights is appreciated today in a way it wasn't then. It's not perfectly written nor does it have the most logical characters, but it's powerful and it touches people, even a century and a half later. Is it a great book? I know a few who would put it in their best 100, but I doubt anyone at the time would do so. By the way, in the physical world, facts don't have to be proven. They are demonstrable, objective and repeatable. It is only theory that requires proof. And, since there are innumerable counterexamples of people, experts in fact, who thought a contemporary's work was never going to be considered great, only to be lost in obscurity while the subject's work stood the test of time, I guess that theory's done for. It only takes a single fact to disprove a theory. In science. Tell you what, though, I'm as tired of this nonsense argument as you are. Let's meet back here in a hundred years and see who's right.

Citations? I have no idea what you're talking about. What would I cite in connection with anything in the discussion? And, I feel compelled to say that the whole fact business seems strange, and a pretty precise use of the word. I mean, the date is a fact about the world, and so is "Santa Claus does not exist," but you can't exactly demonstrate them. X killed Y is a fact (or not, I don't them), and it isn't outside the realm of the normal use of English to say it can be proven. I gather that mainly what you're talking about there is support for the idea that Avatar is, at the very least, a really great movie (or similar). It isn't particularly an actual point of contention. The things you quote are not personal shots at you, they simply seem to be what you've been doing, and it seems to still be the case. "The question is, will your sister call a meeting of her department and inform them that the best book ever written is Harry Potter? If so, I'd rather like to have a word with someone at her University." "As I have tried to explain, you make a mistake about opinion and error of fact. There are people, your sister included I take it, who try to teach people how to put together stories well. How to create characters that are not one-dimensional bits of trivia. They judge and grade these things based on general ideas of what does and doesn't make for a good and interesting story, or character, or whatever. Your story seems to be that the response to this scenario ought to be... well, sorry, I don't like people telling me what to think. Prove I'm wrong about my story being good." I just want you to be clear on what your story is. Avatar specifically is not really at issue, and hasn't been for some time, because if no specific movie makes a difference, how does that one? "Nor did I see any indication you would even entertain the notion that you may have missed depth." All you said, if I remember, was the he was single-minded and ruthless. Yes, and that's all he was. That's not depth. But, to be honest, this particular quote is interesting, because it's untrue. Although not in your seeing an indication actually, but in the fact behind that. If you have reasoning that adequately supports your view, I'll change my mind. You don't seem willing to entertain the idea that you might be wrong. Except, maybe it is just that you are of the opinion that there is nothing to be wrong about, and so you can't be wrong. I think there is something to be wrong about. I guess you don't. Fair enough. There are such things. As I said before, if your point is that you think it's the best movie you've ever seen, there clearly is no wrongness possible. But, I'll tell you what, fine... Curious George is the best book ever written. I presume no one can take any exception to that, as it is only my opinion.

I think we disagree on the idea that if you meet someone who is just like that character, then the character is thus "real". The marine nutjob, for example, I mean, the point is not that I don't believe there are idiots, and just because there are doesn't make the one on screen in any way real. The idiots you meet aren't real either.I mean, stereotypes exist for a reason. There really are people who are hollow and boring, and are summed up to perfection by tossing out a few stereotypical thoughts based on their role or position. That doesn't mean I want to watch a movie about them.A romcom is a romantic comedy.

What I meant on Harry Potter was that, though I didn't get "it", why so many people adored it, that doesn't mean it doesn't exist. I don't assume, because I don't see the point, that the readers must all love it because their friends love it or because they're too stupid to realize it ain't all that great. Many of the people I know who love it are brilliant and never follow the crowd just to follow it. For me, I assume I'm the one missing it for whatever reason. That doesn't bother me. It's enough that others get it and are happy.Clearly, you don't get "it" about Avatar. I'm not willing to concede that that automatically means that there is no "it" or that we're all too stupid to know better, that it can't actually be great. You can believe so; I don't have to agree. You can say that because you didn't get "it," it can't be a truly great movie. I don't have to agree. You saw many things in movies you recommended (that I watched) that I never really got or enjoyed. I didn't assume you were a fool for seeing what I didn't see. I assumed I missed it and chalked it up to the world being full of individuals. I don't care for the assumption that something great can't exist, even if I see it clearly, just because someone else does not.But then, I don't normally consider myself a fool either.

I don't care for Harry Potter, but I do think they are great. They touch people of all ages and in many countries. I don't have to get it to appreciate they couldn't do that if they weren't good.I didn't know a single person who had seen it and liked it when I went to see Avatar. My husband (and then my daughter) who were both dead certain they wouldn't like it, turned out to like it (my husband described it as "the best movie ever.") He didn't want to like it. But he did. We are not, as a general rule, blown away by special effects either. So, I don't think anyone decided for me I would like it. I don't agree with you on the characters because there isn't a single character there (NONE, including the marine fruitcake) that I haven't met in real life. Not the Na'Vi (color and particular skills notwithstanding - my grandmother's father was a Native American Shaman). I've met them all. They are real because I've met them, I knew them all, and what the did made perfect sense because of the people I know. Perhaps its because we hang out with different people - I know a lot of ex-military, contractor, Native American, new age, pilot, technical, and scientific types. This is one of my favorite stories ever. I've seen it play out a thousand times in history and in movies/books/etc, though, in reality, it usually ends tragically. I love how it played out, what it said and how it said it. Can you blame me for hoping we finally learn?I have no idea what a romcom is.

Well, but take books instead of movies, and use Harry Potter instead of Avatar. Plugs into everything you just said pretty much the same (well, I mean, not science, but is it really relevant?).I actually reach for completely non-extreme reasons not to love it. I do like it.The best movie you've ever seen is a qualification that can't really be worked around. You like it best is a fact that you can't be wrong about. But, to the exact same degree as the person who likes Transformers 2, Saw, Ballistic: Ecks vs. Sever, or anything else. But, assuming we aren't all just saying, "Hooray Vanilla," at each other, and we are talking about whether or not it actually is the best movie ever, if you think it is, you're wrong.There are, for good or ill, other sides to everything you say. The characters I'm not so sure about, because they don't stand up to support in my opinion. They're hollow and most of them are nonsensical. They aren't real people by a billion miles. As to the story, there are other reasons stories keep getting told. You can't just take every half-ass romcom that comes out, and say, well, there's a reason they keep telling that story.

I didn't think we were that different in what we were looking for either, but I'm thinking so now. I not only think Avatar was, without doubt, the best movie of 2009, I think it's the best movie I've ever seen. I am all about the characters and, so far from seeing them as cardboard or caricature, I found them vibrant and alive. I found the plot not trite or stupid but brilliant (as I feel about any great story retold in a new and riveting way - see A Christmas Carol. It is a great story, or it wouldn't be told so often and, yet, we still haven't learned). I have not seen science this sound since, well it's been years if not decades and found the story more than plausible for reasons I explained. This movie demonstrates for me why I love movies, why I love science, why I believe in people even with all the greed and ugliness out there. I find it intriguing that so many people have reached for such extreme reasons not to like that while labeling movies much weaker in these aspects higher. Like, if everyone likes it, it can't be good. It strikes a cord in me and reminds me why I got into the thankless world of science.I'm not trying to convince you of anything, but I won't apologize for loving it either. I wasn't terribly fond of Titanic, not like I've enjoyed other Cameron movies, but it occurred to me that it wouldn't have been so successful if it hadn't touched people in some way. I feel that is at least as true for Avatar. If that's so, isn't that what movies are supposed to do?Truth is, I'm as confused by your immunity to its power and beauty as you are by my embracing of it. I didn't mean to get into the Avatar discussion again. I accept that it's not your cup of tea. But, to many of us out there, it's why we love movies. And we don't have to be ashamed of that either.That doesn't mean you're wrong. Or me either.

I'm not saying you have to agree with me either, and didn't think that's what you were saying, but I think that just because 9 is on the list isn't exactly a reason to go all "we don't look for the same things" on me. :)I thought both Avatar and Star Trek were good movies, they were just, IMHO, far from the best thing ever. 9, and I think I mentioned this, wasn't worthy of mention because it was awesome. There's something about the whole story that was really cool. It's a ten-minute student film that Tim Burton saw, and thought to himself that the creator was someone who deserved a chance. It didn't work out perfectly, but it was interesting and fun. I was disappointed as well.For me, I'd much rather watch someone try to do something really inventive and different and fail, rather than watch someone throw tons of money at something designed to attract every common denominator of the masses and succeed fabulously. Cameron's creative process has more in common with Ad companies than filmmakers.His next movie will sell tons of tickets too, just like the next American Idol will sell records. And really, there's nothing wrong with that.The movie isn't horrible. It's a good time and a lot of fun. It just isn't remotely in the league of other things. It doesn't have characters, except the ones it CGIed in from 1930's B Westerns, and it doesn't have much of a story. But, neither do a lot of things that are perfectly respectable 3 1/2 or 4 star movies. I think ultimately it only sounds like I really don't like it, because I'm in the position (not specifically at you) of defending against it being the best thing ever. As Roger Ebert said, to paraphrase, that just isn't the case. Ebert, by the way, who talked the movie up something fierce and gave it a great review. I know you said you don't read other reviews much, but he really went to town on how awesome he thought he was. But, when it won the GG for best picture, he had a fit.As Ebert famously points out from time to time, Siskel used to have his statement on people talking about opinion and so on. Everyone has different opinions, and that's great, but Siskel would say that there comes a point where opinion blurs into error of fact. Ebert went off on Transformer 2 about this, though he despised it whereas I only thought it was not so great. But, if you liked Transformers 2, though it was fun, had a good time watching it, etc., fine, but if you think it was the best movie of the year, you're just wrong. I have to agree with him there, and when he says it about Avatar, even after talking about how great he thought it was, I agree with him there too.Take, for example, Ferris Bueller's Day Off (just because that popped into my head). It's got pretty much universal popularity. Who doesn't love it? First of all, it's unfair, because it's way better than Avatar, but... is it the best movie of the year? No way. I love it, and I'm sure I will watch it again and again for years, even still, but it isn't the best of the year.If you see all the movies in the top ten on this list, and come back and tell me that Avatar is better than all of them, then I guess I'll have to say, wow, we really do look for different things in movies. And, other than that, I really won't know what else to say.It's really like Titanic all over again. Sure, fun to watch I guess. Certainly not a bad movie really. But, is it still the most fantastic thing ever? Really?I don't actually think we do look for different things in movies, it's just that these two didn't do it for me to a degree that warrant a lot of attention. I heard tell that you were all about the characters, and I find it hard to believe that you've latched onto this movie so strongly.

I'm not saying you have to agree with me. I'm just saying I don't agree with you, not because you're an idiot but because we clearly are looking for different things in movies. I found 9 a terrible disappointment and left feeling disheartened and cheated. To each his own.

There are many of these that I have not seen and I agree with what stephanieebarr stated that we don't see movies for the same reasons. One movie that has gotten positive reviews that I really didn't care for is District 9. I thought the plot was so common and cinematography was fair but not really something that I would want to write home about. You have given me some ideas of some movies that I would like to view in the future. Thanks for sharing your thoughts.

Thanks for the comment. I know a lot of people who say that about Fox, and I can see it frankly. It was really good. It was the most bizarre year in animated films.Up in the Air was really good as well, and I can see people liking that one more than I did too. I enjoyed it immensely while I was watching it, but at the end it didn't leave me wowed.Again, I appreciate the comment.

Well, I don't know, give me a break, I can't mention everything. Star Trek was good, and I gave it a pretty high rating, but I didn't love it and there were things that weren't so great about it.9 could use more mentions in general. It wasn't awesome either, but it was a lot more inventive than a lot of things.

Wow. I really need to check out (Untitled). I can't believe I missed that one. I loved An Education as well. Carey Mulligan is a revelation. Up was fantastic, but as animated features go, I have to go with Wes Anderson's Fantastic Mr. Fox just slightly ahead of Up. The Young Victoria was one of my biggest surprises of the year. It was just a great movie. Jim Broadbent was so much fun in it. I have to say, no movie this year hit me like Up in the Air did. I thought it was incredibly brilliant. I've seen it three times now and it keeps on getting better.

The idea that something else is the year’s best film, or that someone else is the year’s best actress, is even a worse idea than that someone else might have been a better supporting actor than Christoph Waltz. It’s just laughable.

You know I don't agree with you at all with Avatar (but then the populace is voting with its hard earned money), but I knew how you felt about it so I'm not surprised. But no mention of Star Trek? And 9 gets an honorable mention?Sorry, buddy, I can't agree with you there, either. I'm not saying you're not entitled to your own opinion - you most certainly are - but I'm just not able to see eye to eye with you. I haven't seen any of your top ten (except Up), but I'm beginning to think I just won't get what I look for from them. That's OK. We don't all go to see movies for the same reasons.

Because Star Trek was lame.

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