NBC’s The Chopping Block, Dollhouse, True Blood, And The New Ratings Game

by Marc Eastman on March 27, 2009

After  a whopping three episodes aired, NBC has pulled the plug on the new cooking competition show The Chopping Block.  It seems I barely put together an article on the thing, and though my reaction was rather middle-of-the-road, NBC needs a bit of a wake-up call.  I didn’t love the show, and though he may be a genius of the culinary world, Marco Pierre White just doesn’t make for really entertaining television.  Besides which, my main problem with the show was the change in format, which didn’t make any sense to me.

 

 

choppingblock1

But, none of that really matters.  Whatever the ratings may do, pulling the plug on a competition show after three episodes is like closing your restaurant after being open for two days.  If you can’t figure out a way to get enough viewers to make it through one run of a competition, don’t play the game to start with. 

 

 

 

There are a lot of problems with NBC’s basic strategy here, and those problems showcase the fact that NBC seems to be going goofy with their decisions.  The new season this year may come to be known as the great culling of ‘09, with hardly a NBC effort getting anywhere, more in danger, and long-running favorites ending.

 

 

 

On one front, every series that gets kicked aside after three episodes is just one more nagging doubt in the minds of viewers the next time you try to start something going.  Especially something like The Chopping Block, which is not in the category of next greatest thing ever.  Sure, when NBC next puts together a lot of big names in a show with some great hook, people will still watch.  But, you can’t fill your whole line-up with those, and you’re going to have to put out some shows that are taking a chance, like this one.  The next time NBC does that, are viewers going to be willing to play along and invest?  It’s a really tough call after the way things have gone this season.  Why am I going to invest anything in such a show?  What if I like it?  Even the shows that keep kicking around (let’s pick Knight Rider) fly around the rumor mill, and you aren’t sure if the thing is going to be on from one week to the next.  Friday Night LightsFriday Night Lights reviewsFriday Night Lights reviews has quite a few people calling it the best thing on television, but throughout its life thus far there have been many a moment when you had no idea if it was getting offed.

 

 

 

What NBC seems unable to get its head around is that straight, daily ratings just don’t mean much anymore, and they are on the road to meaning nothing at all.  

 

 

 

We got a taste of things not long ago, largely because Dollhouse was getting a lot of press.  The ratings were not good out of the gates, and that made for a lot of talk.  The show seems to have polarized people into like and hate, and both sides were quick to jump on the low ratings.  After a while, some manner of readjusted ratings came out that included DVR numbers and things like online viewings.  That didn’t turn the numbers into anything great, but it looked like quite a few more people were watching it than the initial ratings would lead us to believe.

 

 

 

Well, no kidding.  I haven’t watched live TV in at least six years, and the number of people who do is falling like a stone.  More and more people have DVRs of one form or another, and online viewing through places like HuluHuluHulu and Fancast is going through the roof fast.  Networks need to figure out what’s going on with this new era of television, and dumping shows after three episodes isn’t the way to play anymore.  You think repeats of Law & Order (NBC’s gameplan for the slot starting next week) are going to do something better for you?  Not unless your advertisers are even more lost than you are.  Someone’s watching those commercials?  Good luck.

 

 

 

There was a similar story very early in the season, when critics bashed HBO’s True BloodTrue Blood reviewsTrue Blood reviews from every angle.  When the show was almost immediately renewed for another season, several critics had to try hard to keep their heads from exploding.  The ratings weren’t that great really, and that was much of the ammo used to support the idea that HBO had lost its mind.  Of course, HBO is not so quite so closely tied to ratings, but they want to put out shows people are watching just as much as anyone.  It turned out that the show was actually doing pretty good once you factored in the viewers from the multiple airings (first airing at a certain time doesn’t mean that much to HBO), DVRs, etc.  What HBO, I think, paid more attention to was the show’s buzz.  In the end, the show didn’t do too bad and managed a shiny award for star Anna Paquin.  By the time the next season rolls around, I think we’re going to be looking at pretty good numbers.

 

 

The simple fact is that television is changing dramatically, and NBC is proving itself a network that just doesn’t get it.  Cancelling The Chopping Block was a stupid move.  It’s far from the best thing to get such treatment, but there are real negatives to the move without any positives.  It was a mid-season shot, and nothing that took its spot was going to do any better anyway.  It’s a new world, and networks and advertisers alike are going to have to figure out new ways of doing things.  Demanding to be known as the network who doesn’t believe in your shows isn’t how you get audiences to believe in you as a network.

 

 

 

 

UPDATE – Just read another article on NBC which relates to changing times.

 

http://tv.msn.com/tv/article.aspx?news=359610&affid=100055

 

 

 

 

 

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  • Liz
    I know that for me, I don't like to watch anything new on NBC or Fox because I spend every episode wondering if it's the last one I'll see. I've been enjoying the new show Southland on NBC, but I can't see how it's going to be renewed, especially since NBC themselves say that it was created for the 10 p.m. time slot, which won't even exist on NBC next season!
  • areyouscreening
    Exactly my point, and I wish networks would catch on to this, and more people would talk about it in more places. I'm worried about a lot of shows on a lot of networks, because they are fun, different, or interesting, but why invest when you have no idea if they'll be on next week?


    If you don't commit to a certain length run at a minimum, all your shows will have suck ratings.
  • Ben
    I live in the Uk and, like many, have downloaded every episode of Dollhouse so far. When it does premiere in the UK, I'll watch it again. When it comes out on Blue-Ray I will buy it. Just because some people can't follow a show with more than two story or character arcs playing out at once or can't appreciate subtext that isn't paraphrased or given a big neon sign, doesn't mean that those who can should be forced to watch lesser programming.
  • Scott
    Bravo-I've been saying this for ages. The old system never worked very well and now it's becoming a dangerous anachronism. The way people watch TV is changing and th enetworks need to realise that.
  • DreamRose311
    It doesn't help that NBC has decided that next year they are cutting 1/3 of their timeslots for primetime programming. I just know I'm about to lose some of my favorite shows, and I can't stand it. Not to mention it gives them very little room for trying new shows. I've been wishing for a couple years that Fox would just push the news to 11 like everyone else so they wouldn't have to be so stingy (especially when they lose 3 slots to one show in the spring with Idol) , so to hear another network was going to have a similar 10 slots a week for shows, I was pretty ticked.

    Another thing to mention is ABC cutting the order of Motherhood (or whatever it is called) in half after the airing of ONE EPISODE. I didn't watch the show at all, and I'm pretty sure it was up against March Madness, but when I read the article saying they were already cutting half the order, I couldn't believe my eyes. I had planned on giving it a shot, but for sure won't now, because I know if I get invested in it's humor that I'll only be disappointed to see it go away quickly.

    I fear for the life of Dollhouse. Even though I know we'll see the whole first season, I'm still worried that if the number don't go up that's going to be it. Another problem is that networks no longer have the memory that sometimes a show needs to brew before it can be great. Can you imagine if Buffy started this year instead of when it did, we might not even know who Joss Whedon is, because it probably would've been given the axe quickly.

    Ok I think thats about the end to my rant haha.
  • areyouscreening
    Thanks for the comment.


    I think, and I could be wrong, that you are very correct about Buffy. As I recall it didn't really shoot out of the gates.


    The thing with In the Motherhood, and yes that does kind of suck, is that things suddenly changed because the Writer's Guild gave them some sort of demand about viewer contributions and blah blah. I think, and I don't know, that they cut things in large part because of that, and I think they might be hoping to do something about how that gets worked out.

    I think they were hoping to work off of the viewer contribution angle like the online show did, and they suddenly had that taken out from under them.


    Thanks much for the comment.
  • DISQUS
    Um, sorry to burst your bubble people but 70% of households in America don't own a DVR. You are the minority. Secondly, unless those DVR numbers translate into a growth in a show's C3 audience (i.e. the people watching the ads, not skipping them) the DVR numbers are meaningless. Ad revenue from the show's broadcast run completely overshadows any additional revenue brought in by online streaming, DVD and so on. It's not even close.
  • Liz
    I think it's a tremendously strong myth - but a myth nonetheless - that people who watch shows on DVRs are more likely to skip ads. When I watch TV live, I am much more likely to either leave the room during ads or to hit 'mute' when an add that annoys me come on and not hit 'sound' till the show comes back. When I watch on the DVR, I *have* to watch the screen so that I know when to hit 'play,' and I am much, much more likely to specifically stop for an ad. I've talked to many other people with DVRs who are the same way, and many of the people I know who only watch TV live always mute the ads. I know other people who only watch TV online now, and you *can't* skip the ads there.

    Just because the TV industry and the ratings trackers are obsessed with the idea thast DVRs and online viewing cut down on ad viewing while live watching means people are following all the ads, that doesn't mean it's true. The entire ratings system is as outdated at this point as the way circulation of newspapers is tracked. Technology has far outstripped the way people track the media and entertainment industries.
  • areyouscreening
    I agree... to a point anyway. I watch the odd ad here and there as you describe. I think the point is more about the part where during live TV you don't.

    Advertisers and networks have to change their theories. The DVR is only a showcase of the issue. Who watches ads whether the show is live or not?


    It's simply a new age, and new ideas need to show up. Look at American Idol with all that crazy product placement and so on. At least it's something different.


    There are other options. Remember any commercials from when you watched Friends. No. Remember that episode of Friends with the Potter Barn Apothecary table? Yes.



    Thanks very much for the comment.
  • areyouscreening
    Darn. Proven wrong again.

    It's such a bummer to be the minority.


    I guess the truth is networks should just keep doing what they're doing.
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